I didn't write anything last night. I decided to sleep.
I wrote the last 40,000 of the 50,000 novel in about... 4 days. Not a lot of good writing, but I think besides being busy as hell at work and weekends being filled (first weekend - NYC marathon, second weekend - drill, third weekend - High School reunion) I didn't give myself any time. And to be honest, of the time I had I was a bit daunted about writing the second book to the 'trilogy' that's in my head. Why? Everyone knows that most second books are so - so. You don't have to build up the context and world (done in the first book's premises), but you have to continue the arc from the first book and leave yourself room to write the third book. I've never written a book before, let alone a trilogy, but I get an overarching sense that that I'm just reflecting a lot on how a screenplay is written. The average screenplay (per Syd Field) has three acts and two big plot points that mark the transition from Act I to Act II and Act II to Act III. At least, that's how I've approached these books. I've changed something at the end of Book 1 that sends Book 2 in a new direction, which (hopefully) will send Book 3 into another direction (or more or less come full circle).
Plus, sequels suck. You have a great ending for the first book, but you just KNOW you're not done with the story. How do you give your next book a treatment that doesn't feel like you rubberstamped the first or went to boringasshitvillewith200extrapages? I think the problem is that you try to rework things in the first book using the second book. I know I did, but I think writing the second book is going to give me plenty to do on the rewrite of the first. Time to amplify and dampen subplots (or, in the case of the first book... write subplots that didn't exist until the second book).
I think I'll have a lot to contend with on the final book. It'll have a lot of baggage from the first book. Loose ends to tidy up (that need tidying. Not everything in life is a neat little package and I'm not going to bother resolving things that were never meant to be resolved as a part of the story), and end with at least a profound finish, if not a big one (with fireworks and end credits and more stuff blowing up).
Of course.. what do I know? I'm not a professional writer. I'm making this up as I go.
FYI both books are written from women's POV. Not sure I succeeded, but I don't try to write women as 'feminine' I write them as they are. Or rather how I feel they write themselves.